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Image (images are already compressed for web at 72dpi - TH=1.667in, Regular = 6.25 in, Enlarged = 12.5 in)
Les Enfants Terrible, [installation view]
©Susan Scott
Date made: 2004
Other information: Installed at the Dalhousie Art Gallery, Halifax, Nova Scotia, 2004
©Susan Scott
Date made: 2004
Other information: Installed at the Dalhousie Art Gallery, Halifax, Nova Scotia, 2004
©Susan Scott
Date made: 2004
Other information: Installed at the Dalhousie Art Gallery, Halifax, Nova Scotia, 2004
©Susan Scott
Date made: 2004
Other information: Installed at the Dalhousie Art Gallery, Halifax, Nova Scotia, 2004
©Susan Scott
Date made: 2004
Other information: Installed at the Dalhousie Art Gallery, Halifax, Nova Scotia, 2004
©Susan Scott
Date made: 2001
Materials: watercolour on paper
Measurements: 8.5 in. x 11 in./po
Other information: The point of departure for Les Enfants Terrible is the 1929 novel of the same title by French writer, Jean Cocteau. The novel describes the relationship between an orphaned brother and sister on the cusp of adulthood. Their symbiotic relationship begins with an air of innocence but slowly builds to a dramatic finale created through the depiciton of a series of moments, each with a distinct poetry of gestural description. Having read this novel as a youth, the impressions, which this novel's gestural descriptions left on my psyche have become intensely personalized and each painting has become a deconstruction of my aesthetic process.
©Susan Scott
Date made: 2001
Materials: watercolour on paper
Measurements: 8.5 in. x 11 in./po
Other information: The point of departure for Les Enfants Terrible is the 1929 novel of the same title by French writer, Jean Cocteau. The novel describes the relationship between an orphaned brother and sister on the cusp of adulthood. Their symbiotic relationship begins with an air of innocence but slowly builds to a dramatic finale created through the depiciton of a series of moments, each with a distinct poetry of gestural description. Having read this novel as a youth, the impressions, which this novel's gestural descriptions left on my psyche have become intensely personalized and each painting has become a deconstruction of my aesthetic process.
©Susan Scott
Date made: 2006
Materials: oil and acrylic on canvas
Measurements: 40 in. x 60 in. (101.6 x 152.4 cm)
Other information: In this image from the Young Artists series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2005
Materials: oil and acrylic on canvas
Measurements: 101.6 x 152.4 cm
40 x 60 in
Other information: In this image from the Young Artists series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2008
Materials: oil and acrylic on canvas
Measurements: 50 x 40 inches (each panel)
127 x 101.6 cm (each panel)
Other information: In this image from the Young Artists series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2007
Materials: gouache on paper
Measurements: 30 x 44 inches
76.2 x 111.8 cm
Other information: Other information: In this image from the Young Artists/Studio Days series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2008
Materials: watercolour, acrylic, and shellac, on waterford paper
Measurements: 40 x 60 inches
101.6 x 152.4 cm
Other information: In this image from the Young Artists/Studio Days series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2008
Materials: watercolour, acrylic, and shellac, on waterford paper
Measurements: 40 x 60 inches
101.6 x 152.4 cm
Other information: In this image from the Young Artists/Studio Days series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2008
Materials: watercolour, acrylic, and shellac, on waterford paper
Measurements: 40 x 60 inches
101.6 x 152.4 cm
Other information: In this image from the Young Artists/Studio Days series I am examining the significance of multivalent stories and their "telling" to the construction of self and culture. In picturing students at work, I am exploring both the 'behind the scenes' daily lives of young artists, as well as recalling my own years as a young painter.
©Susan Scott
Date made: 2008
Other information: Galerie d'at du Parc, Trois rivieres, Quebec 2008
©Susan Scott
Date made: 2008
Other information: Projex-Mtl Galerie, Montreal, Quebec 2008
©Susan Scott
Date made: 2008
Other information: Projex-Mtl Galerie, Montreal, Quebec 2008